About Us

Motion is our language; light is our medium. We are a collective of visionaries obsessed with the 'Vie'—the life—of the story. Our mission is to translate your boldest ideas into a cinematic language that speaks louder than words.

Project Delivered
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Industry Awards
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Lead Operators

A specialized ensemble of directors, cinematographers, and editors united by a singular obsession with the frame.

Julian Vie

Executive Director

Aris Thorne

Photography Director

Gary Voss

Chief Colorist

Elena Vane

Head of Production

From Script to Scale Workflow

We combine technical precision with narrative depth to deliver visuals that resonate, regardless of the medium or scale.

Full-scale production capabilities tailored for both narrative film and global brand campaigns.

Distribution & Strategy

The activation phase where the vision reaches its audience.

Pre-Production

The architectural phase where the vision is mapped and the foundation is built.

Production

The execution phase where the technical and the creative collide on set.

Post-Production

The refinement phase where the story is found and polished in the edit.

Work With Us

Whether it’s a feature film or a global commercial, we craft visuals that demand attention and stories that stay with the audience.

Common Inquiries

Every project is a unique build. A standard commercial campaign usually spans 4 to 6 weeks from concept to final export. Narrative features or complex documentaries are scoped based on the script and post-production requirements.

Yes. We are a turnkey studio. We can enter at the "Pre-Production" phase to help develop your script or jump in during "Production" if you already have a locked vision. We handle everything from casting to final color grading.

Our standard delivery is 4K or 8K ProRes 422 HQ, optimized for cinema, broadcast, or web. We also provide social-ready cuts (9:16) and master files for archive purposes.

Absolutely. We often act as a Post-House for outside productions. If you have raw footage, our editors, colorists, and sound designers can take your project through the "Final Polish" phase to meet industry standards.

Typically, the client owns the final delivered masters. Ownership of raw rushes and project files depends on the specific contract tier. We usually retain the right to use selected clips for our Studio Showreel.

We are platform-agnostic, but our in-house standard is built around RED and Arri systems. This allows us to maintain an 8K native workflow and provides the maximum dynamic range for our colorists to work with in post-production.